För ett tag sedan gjorde jag research inför en serie med robotar. Då blev jag påmind om de fantastiska omslag som prydde många av de svenska utgåvorna av Isaac Asimovs böcker på åttiotalet.

Död robot och Den okända lagen låg på pappas nattduksbord och för mig blev omslagsillustrationerna synonyma med hur Asimovs värld skulle gestaltas. Köttiga, underbart ful-snygga bilder som snarast för tankarna till fantasy. Långt från de kliniska och tråkiga bilder som brukar användas i klassisk science fiction.

Lite efterforskningar visar att illustratören heter Staffan Göransson, men jag har inte hittat mycket mer information honom. Ingen hemsida eller liknande. Han verkar vara född 1952 och ha gjort en del andra omslagsillustrationer, bland annat till barn- och ungdomsböcker.

Nedan är de omslag har har hittat, men det borde kunna finnas fler… Om du vet något mer om Staffan Göransson, eller har hittat fler Asimov-omslag av honom, skriv gärna något i kommentarerna. Det går bra att vara anonym.

Död robot (The Robots of Dawn)

Den okända lagen (Robots and Empire)

Preludium till Stiftelsen (Prelude to Foundation)

Stiftelsetrilogin (Foundation Trilogy)

Stiftelsen och jorden (Foundation and Earth)

While being a stay-at-home-dad, I have had many opportunities to listen to podcasts with science fiction stories – of course only when my son is sleeping. Here are a few that I have enjoyed.

Escape Pod SF podcast

EP 204: The Fifth Zhi

Episode 198: N-words

Episode 197: From Babel’s Fall’n Glory We Fled…

EP195: 26 Monkeys, Also the Abyss

EP192: Sumo21

EP187: Summer in Paris, Light from the Sky

StarShipSofa

Graves by Joe Haldeman (maybe not SF, but really well written!)

We See Things Differently by Bruce Sterling

Mars: A Traveler’s Guide by Ruth Nestvold

Gift Of Joy by Ian Whates

The Merchant and the Alchemist’s Gate by Ted Chiang

Stories by Cory Doctorow

When Sysadmins Ruled the Earth

The Things That Make Me Weak and Strange Get Engineered Away

The message below is great news.
I hope the series is a great success – there is really a need for good science fiction comics.
Mattias Elftorp is one of the few people that could actually pull it off.

DYSTOPIA

From Wikipedia:
A dystopia is the often futuristic vision of a society in which
conditions of life are miserable and characterized by poverty,
oppression, war, violence, disease, pollution, nuclear fallout
and/or the abridgement of human rights, resulting in widespread
unhappiness, suffering, and other kinds of pain.
More: http://en.wikipedia.org/wiki/Dystopia

In short, DYSTOPIA is a series of comic short stories about the dark
future that may be coming, or the one that is already here. These books
will contain science fiction, cyberpunk, horror, current political
subjects and other stories that fit into the concept.

We want these stories to move their readers and we want them to matter. To
warn us and help us chose a better future for ourselves.

SUBMISSIONS
We accept submissions from anyone who has something interesting to say on
the subject, after the following specifications:
-Each book can be one story (24 pgs max) or be done as a split, a flip
book between two artists if the stories are shorter.
-The format is 140x182mm.
-Both color and black & white is acceptable.
-DYSTOPIA will be made in two editions (Swedish and English). If you can’t
do both versions yourself, we can help you with the translation.
-Send digital material. Line art should be 1200dpi. Gray or color should
be at least 300dpi.
-.TIF is a good file format. .JPG is bad (don’t use if avoidable). If you
aren’t sure, ask us for advice.
-Questions, submissions or ideas for submissions to mattias @ elftorp .
com (delete the spaces).

Unfortunately, we can’t pay anyone for their contributions at this stage.
Participants will get 5 copies for a full book and 3 copies each for a
split. Language optional.

There are no deadlines. Simply send us stories and if we accept them we
will publish them as we go along, depending on our situation when it comes
to time and money.

PUBLISHER
DYSTOPIA is a cooperation between Wormgod and the Swedish Comics
Association. Editor is Mattias Elftorp.

http://www.wormgod.net
http://www.serieframjandet.se

Facebook-event:
http://www.facebook.com/event.php?eid=189666498883&ref=nf

Here’s a cool clip about William Gibson and Cyberpunk. It’s really old, but that makes it even better.

Thanks to: Mattias Elftorp!

Här är en skiss av en robot som jag gjorde till en serie för länge sedan.

1. Det blir fler el-bilar.

2.

Ett japanskt konsultbolag har exempelvis tagit fram ett ljud som liknar ljudet från de flygande bilarna i science fiction-filmen Bladerunner

Elbilarna ska låta mer – di.se

(Fråga inte varför jag var på di.se…)

I recently found an ancient issue of Wired Magazine. Before sending it to be reincarnated as newspaper I reread the article on the Aum Shinrikyo cult and the 1995 sarin gas attack in Tokyo.

Apparently the cult was strongly influenced by Isaac Asimovs science fiction classic, the Foundation series in its view of the world.

“The Empire will vanish and all its good with it. Its accumulated knowledge will decay and the order it has imposed will vanish.” It could be Shoko Asahara talking. But it is Hari Seldon, a science fiction figure 10,000 years in the future. Seldon is the key character in the Foundation series – Isaac Asimov’s classic sci-fi epic – and he would give Murai and Aum their high-tech blueprint for the millennium and beyond.

The Cult at the End of the World page 3

This kind of reminds me of the discussion about whether Al-Qaeda is inspired by the same series of books. The main reason for this claim seems to be the fact that the name of the organisation can be translated into “basis” or “foundation”.

A 2002 article in the Guardian sums up the debate well.

On the surface, the most improbable explanation of the name is that Bin Laden was somehow inspired by [ ... ] the world’s most prolific sci-fi novelist [ ... ] But the deeper you dig, the more plausible it seems that al-Qaida’s founders may have borrowed some rhetoric from Foundation [ ... ]

War of the worlds

The article also discusses other SF and Fantasy influences on terrorist organisations, which makes me wonder why there aren’t more groups that are inspred by William Gibson’s Panter Moderns. I guess that’s a good thing…

Also see: immanentization of the eschaton